When the subject of rivalry between screen goddesses comes up, the lifelong competition of Joan Crawford and Bette Davis usually springs to mind. But even before the first shot was fired between the Queen of Warners and the MGM star, Miss Crawford had a rivalry with the Queen of MGM, Norma Shearer.
By the time Lucille LeSueur landed at MGM in January of 1924, Norma Shearer was already the leading lady at the “Tiffany” of studios. Being young, alone and insecure, Lucille needed friends, and when the actress nabbed a tiny part in A Slave of Fashion (1925), she thought that its leading lady, Norma Shearer, might become a mentor, but this was not to be. Norma pulled her best “lady-of-manor” shtick and ignored Lucille all together.
The second nail in the Shearer/Crawford coffin occurred when Joan landed another part in the Shearer vehicle, Lady of the Night (1925). Norma played a dual role, and director Monta Bell needed someone to play Norma’s double in two and long shots. Young Joan agreed to play the relatively thankless part, but while she was on camera, she often ended up “playing” the back of the leading lady’s head.
As Crawford became more successful at MGM, she began to compete with her nemesis for parts. She often complained that she “got Norma’s cast-offs.” Later, the actress compounded this charge by saying, “If they are looking for a lady, they cast Norma. If they want a shopgirl, they cast me.”
Norma (who never admitted to competing with Crawford) made Joan livid when she ran after and eventually married the second most powerful man at the studio, Head of Production, Irving Thalberg. “How the hell can I compete with that?” Crawford was heard to wail. “Norma is sleeping with the boss!” When the frustrated star complained to Irving Thalberg that he was handing his wife all the good roles at the mammoth studio, Joan was plunked into the “B” western Montana Moon (1930) for her pains.
Things came to a head between the two stars on the set of The Women (1939), MGM’s all-star, all-female bitch fest. Apparently, there were fights over costumes (Crawford claimed that Shearer tried to confiscate one of Crawford’s favorite costumes to wear for herself) and photo-shoot placement. Finally, Joan had had her fill. When she was to “feed” lines to Norma while off camera in the famous dressing room scene, Crawford decided to click her knitting needles together as loudly as she could just as Shearer tried to say her lines. Not only did Norma walk off the set until Joan could “behave like a professional,” but director George Cukor ordered Crawford to apologize to her co-star before she could set foot on the set the next morning. Joan responded by telling Norma exactly what she thought of her via telegram.
The two divas never spoke to each other again.